I usually work with various unconventional and multimedia medium and my subjects keep changing. I also cannot work in single medium for a long period of time. The reasons behind this relates to the never ending changes of my surroundings and the perpetual change in the flow of nature.
Some of my subjects are based on dystopian vision of the world, the Wars and Annihilated scenes. The current sociopolitical scenario compels me to question the system in which we live, with an apparent unrealized democracy where we are but mere puppets in the hands of powerful people. The unbalance power of politicians and the bureaucrats within and between countries create wars and trauma, and the innocent people and children becomes the victim.
people are restlessly destroying and simultaneously constructing our present on the rubbles of a dilapidated past.
These somehow make way into my works and I take them and further exploring experimentally with different mediums and processes. Though my works are loaded with bigger issues that encompass my identity as a global being. In my works not only me trying to address the socio-political anomaly around my everyday life but also a strong mobilizing my artistry to identify these unjust stories as a continuum of global historical facts of wars and walls.
Sadness, suffering, anguish which are the quintessential bearing of our society, be it local or global, compel me to create my work. Eventually these issues have given my work an expressionistic turn, though at times my works are becoming eclectic.
I have used materials such as, nepali handmade papers, old books, torn clothes, canvases, mount board, digital paper prints, acrylic gloss gel medium for transferring images, different colored inks , acrylics colors, rejected objects/ tools etc. Usually the use of these various materials is unconscious, allowing accidents which result in unexpected forms otherwise unseen.
Currently my surrounding materials/objects are directly becoming the subject of my works. Useless, rusted, rejected objects lying around my everyday surrounding, I find them mysterious and wonder at their unknown story. Things such as easily breakable, rejected woods, tin trunk, etc generally used by the middle class stands symbolically , for me the trunk is not only a trunk but a movable home , we used it to carry our materials whenever and wherever we move, for some there is no moving without it.