Thank you for commenting.
This body of work is based on two Zambian women that existed or lived in the decades between 1920s and 1980s. The one woman's name is Julia Chikamoneka and the other Alice Lenshina.
Really briefly, Chikamoneka(It will be seen) was a freedom fighter and a member of the UNIP (Zambian political party towards the end of the colonial era and after independence in 1964), and chair of the women's brigade. Her most prominent memory is her half naked protest in 1961. Lenshina lived on the Northern part of the country leading the Lumpa memmbers. She said she had died and met God. After her return she established the Lumpa church with aproximately over 60, 000 followers. Later there would be the Lumpa uprisings were the UNIP and the Lumpa members clash, resulting in the death of many of the Lumpa members. (In a nut shell)
Both women have largely been written out of history and their narratives are fading out of memory, or collating with other narratives (both of themselves and of others) to become different representations of themselves. I used the female body and mortality as a metaphor for these fading narratives. In this particular piece I focused on the fragility of the body at death, and the tension between body and spirit, death and life, existence and non-existence/erased-existence.