• “E’Plazini: A Place to Call Home for Waste Collectors” Part I | Johannesburg, South Africa

     South African artist, Mpumelelo Buthelezi brings an expansive, humanistic vision to his artwork elevating the voices, lives and work of waste collectors in Soweto.  His photographs, at the intersection of documentation, storytelling and activism explore, in his words ‘What counts as work, what is ‘important’ work and who is dignified through that work?’

    Left: 'The residents of Devland and Dryhook claiming the mountain to recycle materials...' | Right: 'South African's landfill in Devland, Soweto, Johannesburg are reaching full capacity...' | Photo: Mpumelelo Buthelezi

    Artist Statement

    In South Africa, one of the most unequal societies on the planet, the informal sector drives the economy. It is estimated that 85, 000 people make a living as waste collectors. They are called waste pickers, a phrase reminiscent of vultures, but contributing more than any other group to recycling within cities and towns, helping divert waste from overflowing landfills.

    What my lens has shown me is that cities are complex and incomplete. They have the potential to be key organising units where people, jobs and ideologies are brought together— vessels through which hopes and dreams can be realised; and yet most of the time they fail us.

    'Gladman Mazibuko, age 25, is a young recycler who collects recyclable boxes and bottles for a living. He is one of the 26,000 mobile waste pickers in South Africa...' | Photo: Mpumelelo Buthelezi

    South Africa’s cities – like yours – remain exploitative, exclusionary, and classist, with little regard for those struggling in the margins that hold the centre together.

    The United Nations projects that up to 68% of the world’s population will live in cities by 2050, with rates increasing fastest in Africa. Every wave of urbanisation brings to the fore questions around quality of life and liveability, with jobs posing the biggest challenge. Our notions of work in the city are skewed by capitalism. My camera has questions: what counts as work, what is ‘important’ work and who is dignified through that work?

    The waste pickers that I have documented are mostly from the Dryhook area near Devland in Soweto. I started this project after engaging with some recyclers who would come to collect waste around my own neighbourhood. One conversation led to another, resulting in a visit to a waste collection sites, where I listened to the workers’ stories.

    'A waste picker lady is pictured carrying alongside her important personal belongings next to the muddy water river across Devland landfill...' | Photo: Mpumelelo Buthelezi

    I had a duty, then, to document the waste pickers’ daily journey and communicate their stories about how they make a living through this work that is more important than it looks. Waste pickers collect recyclable material around the city – scrap metal, plastic bottles, paper, cardboard... They sort and organise the collected material and resell what they have collected to recycling companies. Typically, they receive R3.20 for each kilogram of plastic and R2 per kilogram of cardboard, making somewhere between R40 and R60 a day. Through their recycling methods these individuals are earning a living while also contributing towards environmental sustainability. Individuals, organisations and governments the world over are currently considering and conversing about ‘the future of work’. Most of these conversations place emphasis on automation and artificial intelligence as solutions – with the promise of more time for leisure and “higher order thinking”.

    'Peter Moorsi, was born is 1985 in Orlando West Extension, Soweto. He used to study Biology Chemistry at the University of Witwatersrand in Johannesburg...' | Photo: Mpumelelo Buthelezi

    Very few of these conversations are centred on the poor and those who contribute and create a livelihood through the informal sector. The politics of labour and leisure are inextricably linked to the capitalist system that produces and perpetuates poverty. The same system used to oppress and exclude millions of citizens from participating in the fruits of a productive nation. My camera has become an ally in the fight for sustainable change. Hence, that’s why most of the work I produce mostly touches on themes of research concerning sustainable change, issues affecting humans from a human’s perspectives, social documentary (social activism) and religion, just to mention a few. It finds itself at the intersection between documentation, storytelling and activism.

    'Mashume Tasho, lives by collecting waste materials for recycling from the Townships dustbins of Soweto, Johannesburg...' | Photo: Mpumelelo Buthelezi

    I became determined to use my work to educate society about the important function that waste pickers play in society, most of whom are using this work as a way to uplift themselves and feed their families. The grim side of life is not my only mission. Lately my feet have also led me to Orlando Power Park in Soweto, with its huge twin towers, once a coal-fueled power station, now brightly painted and splashed across tourist brochures.  I have been exploring the spaces, the lives and the architectonics of that neighbourhood as it has slowly transformed along with other areas of my township. Soweto, a place of struggle, is also to a place of incredible beauty and vibrancy.

    Click here to see Part II, which includes a follow-up interview with the artist and his full project portfolio. 

    About the Artist

    Mpumelelo Buthelezi is a South African photographer who lives and works in Johannesburg. He completed his Photojournalism and Documentary Photography degree at the Market Photo Workshop in 2017. In his practice, Mpumeleloʼs work explores the themes of social activism and religion as well as the ways that people sustain themselves, like in the case of waste pickers. Mpumeleloʼs work finds itself at the intersection between documentation, storytelling and activism.
    Mpumelelo is the recent 11th recipient of the Cassirer Welz Award 2021 which includes artist residency program and a solo exhibition at Bag Factory Artists Studios. He received the 2nd Heather B. Mattera 2022 photography scholarship to study in New York. He was part of the TEXT ME curatorial programme with Media Arts Festival 2022 in Leeuwarden, Netherlands. In 2021 he was awarded the best photographer of the year category under North-West Media Awards.
    Mpumelelo has been on artist residency with Sir Prof Zanele Muholi and Muholi Productions in KZN, and also participated in a virtual residency with Wendy.network Arts Unchained in 2021. His work was exhibited at Kampala Photo Biennale 2022/2021 in Uganda, Transitions Rotterdam Foto Festival in the Netherlands in 2019, Foto Schiedam Festival in the Netherlands in 2019. He had his first solo exhibition at Wetilt Gallery in Italy 2019, and CULTVR LAB Catalyst 360 solo exhibition gallery in Wales,UK 2022. 
    Mpumelelo went on to exhibit his photographs at Social Art Award in Germany 2019, and was the 2nd prize winner for Nikon Yellow competition in 2018. He lives and works in Johannesburg, South Africa.