Open Space - Emergent Art SpaceEmergent Art Space

Going Global: Urban Sketching as a Shared Experience

December 22, 2017 | by Vivien Ahrens

re: Soaring High

December 14, 2017 | by Sampurna Pal

‘Journey in Chaos’ | New Delhi, India

December 9, 2017 | by Ritika Sharma

re: Seguí la luna hasta que me perdí

December 5, 2017 | by Rayo del Soul

re: Seguí la luna hasta que me perdí

December 5, 2017 | by Throngkiuba Yim

re: Seguí la luna hasta que me perdí

December 5, 2017 | by Rayo del Soul

re: Untitled

December 4, 2017 | by Jessica Lizeth Torres

re: Journey of Freedom

December 4, 2017 | by Jessica Lizeth Torres

re: Soaring High

December 4, 2017 | by Jessica Lizeth Torres

re: Seguí la luna hasta que me perdí

December 4, 2017 | by Throngkiuba Yim

re: Strong emotions

November 28, 2017 | by Uji Venkat

re: Strong emotions

November 25, 2017 | by Yuma Radnaeva

re: Strong emotions

November 19, 2017 | by Uji Venkat

2017 Murphy Cadogan Contemporary Art Awards Exhibition | SOMArts, San Francisco, California, US

November 10, 2017 | by Uji Venkat

‘Día de los Muertos’ | Mexico / California

October 31, 2017 | by Rayo del Soul

‘Rethinking Museum, Redefining Value: Projecto Ecomuseu’ | Campos de São José, Brasil

October 16, 2017 | by Vivien Ahrens

re: ‘Lonely area’

October 10, 2017 | by Uji Venkat

Interview: Eduardo Chaidez | Oakland, California, U.S.

September 27, 2017 | by EAS

re: Hope

September 26, 2017 | by Uji Venkat

‘Pink Ghetto’ by Jasmina Runevska | Prilep, Macedonia

August 17, 2017 | by EAS

‘Life in Orange Farm’ by Sam Djedje | Johannesburg, South Africa

August 4, 2017 | by EAS

Featured Event: ‘Aliens with Extraordinary Abilities’ | Los Angeles, California

August 3, 2017 | by Rayo del Soul

re: Transition

July 31, 2017 | by Throngkiuba Yim

re: Transition

July 31, 2017 | by Rayo del Soul

233 (Ramon Blanco Barrera) | Seville, Spain

July 14, 2017 | by EAS

‘ANYWHERE ZINES’, a project by Raphael Villet | San Francisco, California

July 10, 2017 | by Uji Venkat

‘Illusions’ | Bobrujsk, Belarus

June 21, 2017 | by Eugenia Hauss

re: ‘Признание’ / ‘Confession’ from A.Huxley’s “Brave New World”

June 20, 2017 | by Uji Venkat

re: ‘Признание’ / ‘Confession’ from A.Huxley’s “Brave New World”

June 20, 2017 | by Оля Каримова

re: ‘Признание’ / ‘Confession’ from A.Huxley’s “Brave New World”

June 15, 2017 | by Uji Venkat

‘I Am’: An International Exhibition | Kolkata, India

June 8, 2017 | by Ushmita Sahu

re: Where are we heading?

June 7, 2017 | by Mahrukh Bajwa

re: Where are we heading?

June 6, 2017 | by Jessica Lizeth Torres

Throngkiuba Yim | Nagaland, India

May 27, 2017 | by Paola Loomis

re: ‘Каждый принадлежит всем’ / ‘Everyone belongs to everyone’ from A.Huxley’s “Brave New World”

May 25, 2017 | by catherine armsden

re: Get Ready

May 24, 2017 | by Uji Venkat

re: ‘Каждый принадлежит всем’ / ‘Everyone belongs to everyone’ from A.Huxley’s “Brave New World”

May 24, 2017 | by Оля Каримова

re: Get Ready

May 23, 2017 | by (Sam) Arcelio Timoteo Langa

re: ‘Каждый принадлежит всем’ / ‘Everyone belongs to everyone’ from A.Huxley’s “Brave New World”

May 22, 2017 | by catherine armsden

‘My Perch, My Hometown’ | Tulamba, Pakistan

May 18, 2017 | by Farrukh Adnan

re: ‘Unburying Histories’ | Lusaka, Zambia – Miami, Florida

May 12, 2017 | by Mwape Mumbi

‘Unburying Histories’ | Lusaka, Zambia – Miami, Florida

May 9, 2017 | by Gladys Kalichini

re: Get Ready

May 4, 2017 | by Uji Venkat

re: Get Ready

May 4, 2017 | by (Sam) Arcelio Timoteo Langa

re: illumination of existence

May 2, 2017 | by Norman Packard

re: Is the art world divided along class lines? Call to a conversation/collaboration

May 1, 2017 | by Rayo del Soul

re: Get Ready

May 1, 2017 | by Uji Venkat

Destreet Art Project, Art with a Purpose | Kampala, Uganda

April 29, 2017 | by Paola Loomis

re: Pink Ghetto Phase I: Pink kitchen

April 19, 2017 | by Uji Venkat

re: Pink Ghetto Phase I: Pink kitchen

April 19, 2017 | by Jasmina Runevska

re: Is the art world divided along class lines? Call to a conversation/collaboration

April 18, 2017 | by Nathi Khumalo

re: Is the art world divided along class lines? Call to a conversation/collaboration

April 17, 2017 | by Uji Venkat

Exploring history through different perspectives

April 14, 2017 | by EAS

re: Is the art world divided along class lines? Call to a conversation/collaboration

April 14, 2017 | by CHOUATI YASSINE

re: Is the art world divided along class lines? Call to a conversation/collaboration

April 13, 2017 | by LawrenceT Jadezweni

re: Is the art world divided along class lines? Call to a conversation/collaboration

April 13, 2017 | by LawrenceT Jadezweni

re: Pink Ghetto Phase I: Pink kitchen

April 12, 2017 | by Uji Venkat

re: Pillars of silence

April 7, 2017 | by DEBASISH BERA

Is the art world divided along class lines? Call to a conversation/collaboration

April 7, 2017 | by Tuomas Koskialho

Teaching art to kids in a remote Indian village | Final episode

April 7, 2017 | by Pallavi Das

re: Pillars of silence

April 7, 2017 | by Alex Ko

re: Pillars of silence (part)

April 7, 2017 | by Alex Ko

re: Pillars of silence

April 7, 2017 | by Alex Ko

re: Teaching art to kids in a remote Indian village | Part 2

April 3, 2017 | by Uji Venkat

re: untitled

April 3, 2017 | by Uji Venkat

re: untitled

April 2, 2017 | by Alja Košar

re: Teaching art to kids in a remote Indian village | Part 2

April 1, 2017 | by pallavi das

‘That Is All There Is to It’ | Vilnius, Lithuania

April 1, 2017 | by Džiugas Šukys

re: Teaching art to kids in a remote Indian village | Part 2

March 31, 2017 | by Uji Venkat

Nathi Khumalo | Soweto, Johannesburg, South Africa

March 23, 2017 | by Paola Loomis

re: Gestation

March 19, 2017 | by Alex Ko

re: Against Modernity (source unknown)

March 17, 2017 | by Uji Venkat

‘TL Dreams’ – Exhibition and artist lecture | San Francisco, U.S.

March 16, 2017 | by Paola Loomis

re:

March 14, 2017 | by Uji Venkat

re: Against Modernity (source unknown)

March 11, 2017 | by Eduardo J. Chaidez

re: Against Modernity (source unknown)

March 8, 2017 | by Uji Venkat

Making a big difference in a small town | Yelapa, Mexico

March 7, 2017 | by EAS

re: Against Modernity (source unknown)

March 7, 2017 | by Eduardo J. Chaidez

re: Against Modernity (source unknown)

March 4, 2017 | by Uji Venkat

‘Curation As Praxis: Dialogues, Identities and Movements’ | Baroda, India

March 3, 2017 | by EAS

re: Untitled – 1978/1986 Things, Events and People That Cast No Shadows

February 22, 2017 | by Uji Venkat

re: Untitled – 1978/1986 Things, Events and People That Cast No Shadows

February 19, 2017 | by Gladys Kalichini

re: Untitled – 1978/1986 Things, Events and People That Cast No Shadows

February 19, 2017 | by Uji Venkat

Teaching art to kids in a remote Indian village | Part 2

February 17, 2017 | by Pallavi Das

re: untitled

February 14, 2017 | by Uji Venkat

Interview: Pebofatso Mokoena | Johannesburg, South Africa

February 9, 2017 | by Uji Venkat

re: untitled

February 8, 2017 | by Alja Košar

Teaching art to kids in a remote Indian village

February 3, 2017 | by Pallavi Das

re: Nokol Hoite Sabdhan (Beware of Counterfeit)

February 2, 2017 | by Uji Venkat

re: untitled

February 1, 2017 | by Uji Venkat

re: untitled

February 1, 2017 | by Alja Košar

re: S/T, Series: The dying of the light

January 30, 2017 | by Sheila Rodríguez

re: untitled

January 24, 2017 | by Uji Venkat

‘Purgation’ by Fariha Rashid | Lahore, Pakistan

January 21, 2017 | by Fariha Rashid

‘Black/White Series’ | Cape Town, South Africa

January 17, 2017 | by EAS

re: S/T, Series: The dying of the light

January 16, 2017 | by Uji Venkat

Emergent Art Space | A look back at 2016

January 6, 2017 | by EAS

AGRIshelter: A biodegradable shelter for refugees | Milan, Italy

January 1, 2017 | by Narges Mofarahian

Open Space -

The many voices of the Emergent Art Space community

Archives